"Precisely. Yours." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"!

"Read it?" "Yesterday morning. I saw him."

"Then why doesn't she do it?" Fleda gave a faint, stubborn smile. "He cares for her too much." At the sight of him two fresh waves passed quickly across her heart, one at the heels of the other. The first was an instant perception that this encounter was not an accident; the second a consciousness as prompt that the best place for it was the street. She knew before he told her that he had been to see her, and the next thing she knew was that he had had information from his mother. Her mind grasped these things while he said with a smile: "I saw only your back, but I was sure. I was over the way. I've been at your house."